Survivor-Centred Visual Narratives

Category: events

‘Trauma-Informed Archiving:’ Upcoming Webinar with UBC’s Public Humanities Hub

The third webinar in the Archiving with Care Series, a collaboration between SCVN and UBC’s Public Humanities Hub, will take place tomorrow on April 22nd at 10am PST. The webinar is titled “Trauma-Informed Archiving: Lessons from the War Childhood Museum” and will feature Dr. Ajnura Akbaš from the War Childhood Museum in Sarajevo. The discussion will be moderated by Dr. Matt Huculak and MA student Olivia Kozlovic, both from the University of Victoria. The webinar will explore community-engaged approaches to documenting and archiving the 1992-1995 Bosnian War.

The event will take place over Zoom. More information about the event as well as speaker bios are available on PHH’s website here. Registration is required and accessible via the link.

Speaker Profiles

Dr. Ajnura Akbaš is a Research Coordinator at the War Childhood Museum, where she leads research and documentation projects focused on the lived experiences of individuals whose childhoods are affected by armed conflict. She is also a PhD graduate from the London School of Economics and Political Science, specialising in Gender studies. Her research examines women’s military service during the Bosnian war, with a focus on gender, militarisation, and post-war memory. Ajnura’s work is grounded in creative, trauma-sensitive and survivor-centred methodologies, including collage-making, body mapping, and collaborative documentary practices. She also supports the SCVN Yugoslav Wars Research Cluster as community liaison and primary contact with the War Childhood Museum, as well as developing an Archiving Toolkit specific to the Bosnian War. 

Dr. Matt Huculak is Director of the Kula: Library Futures Academy at the University of Victoria Libraries. A Library Journal “Mover and Shaker,” he was recognized for his work as a digital scholarship innovator during his tenure as Head of Advanced Research Services at UVic Libraries, where he led initiatives in digital asset management, grant-supported scholarship, and digital exhibitions connecting faculty, students, and communities. His research and leadership focus on transdisciplinary knowledge creation, positioning libraries as incubators for emerging technologies and collaborative inquiry across disciplines. He holds a PhD in English from the University of Tulsa and an MLIS from San Jose State University, with graduate study at McGill University and UC Davis — a formation that reflects his grounding in both the humanities and information science. He also serves as Data Director for the Survivor-Centred Visual Narratives (SCVN) project, overseeing the development of the project’s archival infrastructure.

Olivia Kozlovic is an MA student in the Holocaust Studies stream in the University of Victoria’s Germanic and Slavic Studies department. Her research examines the entangled memories of the Holocaust and the Yugoslav Wars in the Balkans, focusing on sites of memory as physical manifestations of this entangled memory in Croatia, Serbia, and Bosnia. Her aim is to understand how the memories of these two events impact one another in the public memory landscape of the Yugoslav successor states. She is supporting the SCVN project as a research assistant archiving the artistic materials, beginning with the Holocaust and Yugoslav Wars Research Clusters.

Thank you to the UBC’s Public Humanities Hub team for co-hosting and facilitating this webinar!

Two Roses Sold Out for First Print Run!

SCVN is excited to announce that Two Roses: A Story of Deception and Determination in Nazi Germany, a collaboration between illustrator Miriam Libicki and Holocaust survivor Rose Lipszyc, has sold out for its first print run of 1200 copies. The book was published by the New Jewish Press with the University of Toronto Press this February. The book is still available for purchase at the following link. A huge congratulations to Miriam, Rose, and the rest of the Holocaust Research Cluster for this achievement!

Cover Image for Two Roses

Sold-out book launch of ‘Two Roses’ at Toronto Holocaust Museum – Mar 25, 2026

The Survivor-Centred Visual Narratives project offers its heartfelt appreciation to the Toronto Holocaust Museum for hosting the book launch for Two Roses: A Story of Deception and Determination in Nazi Germany. At the launch, we honoured Rose Lipszyc whose story is featured in Two Roses. Joining Rose on stage was graphic artist Miriam Libicki, and co-editors Mark Celinscak and Charlotte Schallié. The panel was moderated by York University’s Sara Horowitz. The sold-out event was a beautiful tribute to Rose and the launch of this important work.

Book launch photos provided by DWM Creative for the Toronto Holocaust Museum, March 25, 2026.

Upcoming Conference at Yale: ‘What is Testimony For?’ – Apr 26 & 27, 2026

SCVN is collaborating with project partners the Fortunoff Video Archive, Yale Macmillan Center Genocide Studies Program, and the Sam & Frances Holocaust and Genocide Academy (UNO) to host on a two-day conference at Yale University from Sunday April 26 to Monday April 27.  The conference explores the use of testimony from the Holocaust and other mass atrocities as a source for the visual arts, literature, and new media.

The event will bring together artists, co-applicants and a survivor from the SCVN project, including Nora Krug, Tobi Dahmen, Miriam Libicki, Akram Al Saud, Charlotte Schallié, Mark Celinscak and Alexander Korb. It will also feature scholars supporting the project, including Hank Greenspan, Victoria Aarons and Sara Horowitz.

The event will take place at Luce Hall on the Yale campus. Registration for two workshops is available at the following link.

The Conference Schedule is listed below, with our project collaborators highlighted:

Sunday, April 26, 2026

5:00 PM: Panel I | Mediated Memory through the Drawn Image: Victoria Aarons (Trinity University), Nora Krug (Parsons School of Design), Miriam Libicki (Graphic Novelist, Vancouver) Respondent: Charlotte Schallié (University of Victoria)

Monday, April 27, 2026

9:00 AM: Coffee

9:15 AM: Introduction, David Simon (Yale)

9:30-11:00 AM: Opening event | Graphic Witness Beyond the Holocaust with Akram Al Saud (The Hague), Tobi Dahmen (Comic Artist and Illustrator, Utrecht) Respondent: Charlotte Schallié (University of Victoria)

11:00-12:30 PM: Panel II: Holocaust Testimony and New Media Representations with Jakob Ari Labendz (Ramapo College), Eugen Pfister (HKB Bern), Dan Leopard (Independent Scholar and Artist), Noah Shenker (Colgate) Respondent: Alexander Korb (Arolsen Archives)

12:30-2:00 PM: Lunch

2:00-3:30 PM: Panel III | Testimony and Literary Representations with Hank Greenspan (University of Michigan), Anna Veprinska, (University of Calgary), Sara Horowitz, (York University) Respondent: Mark Celinscak (University of Nebraska at Omaha)

4:00 PM: Performance | REMNANTS with Hank Greenspan (University of Michigan)

‘Risk in the Archive’: Webinar with UBC’s Public Humanities Hub – Mar 24, 2026

This week, SCVN is collaborating with UBC’s Public Humanities Hub to host the second webinar in the Archiving with Care Series. The webinar is titled “Risk in the Archive: Preserving Anonymity, Access, & Cultural Memory” and will host Drs. Franziska Zaugg from the University of Fribourg, Nathaniel Brunt from the University of Victoria, and Kjell Anderson from the University of Manitoba. Drawing on each speaker’s background in specific forms of archival research and curation, the webinar will pursue ethical approaches to archival material, anonymity, and care.

The event will take place over Zoom on Tuesday March 24th from 10:00 – 11:30 am PST. More information about the event as well as speaker bios are available on PHH’s website here. Registration is required and accessible via the link.

How can an archive at risk be supported to ensure its significant cultural, historical, or evidentiary value is preserved?

What if the risk is in the process of creating the archive? Or in the decisions of what to include or exclude? How are identities protected and who has access to the anonymous records? These questions and more are critical to developing and maintaining archives at risk with care.

Risk in the Archive: Preserving Anonymity, Access & Cultural Memory
Tuesday, March 24
10:00 – 11:30 am PST
Webinar Info: https://publichumanities.ubc.ca/events/event/risk-in-the-archives-preserving-anonymity-access-and-cultural-memory/
Registration Link: https://ubc.ca1.qualtrics.com/jfe/form/SV_bHq0y8TrqYopDjE

Speaker Profiles

Franziska Zaugg is a lecturer at the Department of Contemporary History at the University of Fribourg. From 2018 to 2022 she was a postdoctoral researcher at the University of Bern, supported by the Swiss National Science Foundation/Ambizione. From 2015 to 2018, she held a postdoctoral fellowship at University College Dublin, Centre for War Studies, and from 2016 to 2018, she worked as an early career researcher in the “Transnational Resistance Project” at the University of Oxford. Her research focuses on conflict and war history, resistance and collaboration movements, youth cultures, and the dialectal relationship between archives and society. Franziska Zaugg is a co-founder of the working group “History-Society-Violence” (Geschichte-Gesellschaft-Gewalt). She is also the SCVN Yugoslav Wars Research Cluster Co-Lead, working with a survivor who is a Roma woman, sharing her life experiences in Serbia in the 1990s where the discrimination and violence of the Yugoslav Wars shaped her childhood and youth. 

Nathaniel Brunt is a Canadian interdisciplinary scholar, documentarian, and educator whose work critically examines modern armed conflict and the ways it is, and has been, represented photographically. Trained as a cultural historian and documentary photographer, he studies how individuals, institutions, and communities interpret their worlds visually during wartime. He completed his PhD in the Communication and Culture joint program at Toronto Metropolitan University and York University, supported by SSHRC and the Pierre Elliott Trudeau Foundation. Brunt’s photographic work has been widely published and exhibited internationally. He is currently undertaking long-term documentary projects in Northern Iraq and Kashmir, is a postdoctoral fellow at the University of Victoria Libraries, and will be a Hannah Arendt Fellow in 2026. He joined the SCVN project in 2025 as a Research Advisor and will share his experience archiving in Iraq to support the Yezidi project archives. 

Kjell Anderson is an Associate Professor of Law at the University of Manitoba, specializing in genocide, perpetrator studies, international criminal law, and transitional justice. He is the author of Perpetrating Genocide: A Criminological Account (2017) and co-editor of Researching Perpetrators of Genocide (2020). His fieldwork spans Rwanda, Burundi, Uganda, Bosnia, Cambodia, Bangladesh, and northern Iraq, where he has investigated atrocity crimes, victim experiences, and perpetrator narratives. He has held academic positions at the University of Amsterdam, Leiden University, the University of the Fraser Valley, and the National University of Rwanda, and worked with NGOs, think tanks, and international organizations. His current projects include books on Dominic Ongwen, the Rohingya genocide, and epistemic justice and transitional justice. He is also the SCVN Iraq/Syria Research Cluster Co-Lead working with a Yezidi survivor, ‘Jilan’ (not her real name) and graphic artist Birgit Weyhe to develop a graphic novel about Jilan’s experiences during the Yezidi Genocide. His interdisciplinary research integrates legal, criminological, and social science approaches to mass violence and post-conflict accountability.

Thank you to the UBC’s Public Humanities Hub team for co-hosting and facilitating this webinar!

Educators’ Workshop – ‘Teaching the Holocaust through Graphic Novels’ – Toronto, Mar 24, 2026

We are excited to announce that SCVN co-director Dr. Andrea Webb will co-host a workshop for educators in Toronto with the non-profit organization Facing History & Ourselves and their program assistant Amanda Baric. They will also be joined by graphic artist Miriam Libicki and historian Dr. Mark Celinscak. The workshop is on March 24, 2026 from 2:00 – 5:00 pm in person at the University of Toronto Schools. The event is free, and registration in advance is required, as catering and copies of the graphic novels will be provided: https://www.facinghistory.org/learning-events/teaching-holocaust-through-graphic-novels


The interactive workshop provides resources and guidance to educators on how to teach the history of the Holocaust using graphic novels, including Miriam Libicki’s Two Roses and the graphic novel But I Live: Three Stories of Child Survivors of the Holocaust, as materials to engage middle and secondary students. It will also support teachers interested in teaching Holocaust graphic novels or literature as core or complementary text, and history and humanities teachers who are interested in extending and deepening student learning on the Holocaust and its legacies through survivor stories.

Facing History & Ourselves is a non-profit founded in Brookline, Massachusetts in 1976, and operating in Canada since 1981. Their primary goal, according to their website, is to use “lessons of history to challenge teachers and their students to stand up to racism, antisemitism, and other forms of bigotry and hate.”

Thank you to our partners at Facing History; Jasmine Wong, Leora Schaefer and Amanda Baric, for their programming and facilitation support.

This workshop was also made possible by additional funding from the National Holocaust Remembrance Program of the Government of Canada’s Multiculturalism and Anti-Racism Program (MARP).

April Update:

Below are pictures of the event provided by Facing History and Ourselves:

Andrea Webb gives a presentation
Miriam Libicki talks about her graphic novel
Conference Participants at the University of Toronto Schools

Book launch of ‘Two Roses’ at Toronto Holocaust Museum – Mar 25, 2026

We are delighted to announce that the Toronto Holocaust Museum will host the book launch of our graphic novel Two Roses: A Story of Deception and Determination in Nazi Germany on March 25, 2026. Developed by graphic artist Miriam Libicki, Two Roses depicts the story of Holocaust survivor Rose Lipszyc and her aunt Róza Finkielsztaj in Nazi Germany.

The program will include a panel conversation with Rose Lipszyc, Miriam Libicki, and co-editors Mark Celinscak and Charlotte Schallié. The discussion will be moderated by Professor Sara R. Horowitz (York University). Copies of the book will be available for purchase, and be purchased online at the University of Toronto Press.

Registration is free of charge, and guests may explore the galleries and engage with Rose’s testimony as part of the museum experience before the event.

For more information, visit the Toronto Holocaust Museum‘s page: https://torontoholocaustmuseum.org/events/two-roses-book-launch

We sincerely thank the dedicated team at the Toronto Holocaust Museum for their coordination of the book launch and making this a special event to honour Rose and her legacy of Holocaust education.

We would also like to acknowledge this event was made possible with additional funding support from the Government of Canada’s Multiculturalism and Anti-Racism Program’s new initiative, the National Holocaust Remembrance Program (NHRP). This program supports initiatives that seek to preserve the memory of the Holocaust and help improve Canadians’ understanding and awareness of the Holocaust and contemporary antisemitism.

Please register in advance, as space is limited, and we look forward to seeing you there!

Stuttgarter Comic Days hosts Jared Muralt – Mar 14, 2026

On March 14, 2026, Jared Muralt will join a panel discussion at the Stuttgarter Comic Days in Germany, where he will discuss several of his projects, including the graphic novel he is developing as part of our SCVN project.

Jared is the graphic artist behind Ružica’s Last Summer, the graphic novel which explores the lived experience of Ružica, a survivor of the Yugoslav wars. We are delighted that Jared will be sharing this work in the comics scene in Germany!

Visit the festival’s website here to know more about the programme and Jared’s contribution.

You can also check out the Yugoslav Wars Research Cluster page here to learn more about the research and creation process of Ružica’s Last Summer.

Goethe Institute in Rome features exhibition of Barbara Yelin’s art

An exhibition of Barbara Yelin’s original drawings, including works from Emmie Arbel. The Colour of Memory, opened on January 22 in Rome at the Goethe Institute. The exhibition, titled “Drawing Lives: Memory and Biography in the Work of Barbara Yelin,” features 80 panels from Yelin’s major works and will be on display until March 20, 2026.

Barbara Yelin at the Goethe-Institut exhibit in Rome. Photo courtesy of the Villa Massimo, photo credit: Alberto Novelli.

Describing Yelin’s work, the exhibition writes that, “Her palette opens spaces in which memory becomes a living experience, inviting us to encounter others and, inevitably, ourselves. Barbara Yelin’s drawings and narratives open a space that accepts many perspectives, which invites us to listen to the pain of others and to endure contradictions…”

This exhibit was developed in collaboration with the German Academy of Rome Villa Massimo (where Barbara has a 1-year artist residency), the New Academy of Fine Arts, ARF! The Comics Festival, and the European Library. The exhibition is also part of the Rome Capitale initiative “Memory Generates Future 2026.”

More information, including opening times and the gallery’s location, is available on the Goethe Institute website.

Page from ‘Emmie Arbel. Die Farbe der Erinnerung / Emmie Arbel. The Colour of Memory’ (2023).