Survivor-Centred Visual Narratives

Category: news

‘Almasa’s Story’ – Official Trailer from Yugoslav Wars Research Cluster

The official trailer for the upcoming documentary short film ‘Almasa’s Story’ is now available to view on our SCVN YouTube channel. Filmed in Sarajevo and directed by Bojan Hadžiabdić, ‘Almasa’s Story’ features Almasa Salihović, a child survivor of the 1995 Srebrenica genocide, and graphic artist Anneli Furmark, who spent a year interviewing Almasa to create a graphic novel based on her lived experiences during the genocide.

Almasa was six years old when Bosnian Serb forces overran the UN ‘safe area’ of Srebrenica. More than 8,000 men and boys were killed in one of the most violent chapters in European history since World War II. As part of their year-long collaboration, Anneli met with Almasa in Bosnia and Herzegovina, and together they visited locations from Almasa’s past, including the village of Potočari, where she lost her older brother, Abdulah. ‘Almasa’s Story’ bears witness to this journey through the physical and emotional landscapes of a history both deeply personal and universally significant.

Stills from ‘Almasa’s Story’ directed by Bojan Hadžiabdić

Today, Almasa works at the Srebrenica Memorial Center, an organization ‘committed to preserving the history of the genocide in Srebrenica as well as combatting the forces of ignorance and hatred which make genocide possible’.

The full documentary short film will be released on the SCVN YouTube channel in 2026.

More information about the genocide and the graphic novel can be found on the Yugoslav Wars Research Cluster page.

Publication Announcement – ‘Two Roses: A Story of Deception and Determination in Nazi Germany’ – February 2026  

Excerpt from Two Roses (New Jewish Press, 2026) by Miriam Libicki and Rose Lipszyc.

We are delighted to announce that our second SCVN graphic novel, Two Roses: A Story of Deception and Determination in Nazi Germany,  will be published on February 26, 2026 by the University of Toronto Press. Two Roses is a collaboration between Holocaust survivor Rose Lipszyc and graphic artist Miriam Libicki, sharing the experiences of Rose and her aunt,  Róza Finkielsztajn, during and after WWII in Poland. 

Born in 1929, Rose Lipszyc was only ten years old when Nazi Germany invaded Poland. In October 1942, as her family was being deported from their home in Osmolice, Rose managed to escape when her mother pushed her out of the line of deportees. Barely a teenager, Rose fled with the help of strangers and friends by using a false identity. She was then reunited with her aunt in Lublin, and the pair went on to work as forced labourers in a factory in Bremen, Germany, by impersonating Polish gentile sisters. Two Roses depicts how these two women came together and survived the war under vulnerable aliases, portraying the incredible depth of their connection and perseverance. Rose settled in Toronto, and in 2021, she was awarded the Order of Canada for her work in Holocaust education.  

Supported by the Social Sciences and Humanities Research Council of Canada, Two Roses is a highly collaborative book project created over the course of two years. Miriam’s work was supported by SCVN’s Research Cluster Co-Leads Drs. Charlotte Schallié and Mark Celinscak, with research assistant Jessica Botts, who provided research materials and interview support. SCVN’s Project Manager Jennifer Sauter coordinated the travel for Miriam to visit with Rose in Toronto for in-person interviews and filming the documentary. Our project partner, the Azrieli Foundation, supported interview facilitation by having a community liaison present with Rose during the interviews. We are grateful for the time and support of Devora Levine, Arielle Burger, and Carson Phillips. This extended graphic narrative was also made possible by additional funding from the Government of Canada’s National Holocaust Remembrance Program.  

A companion documentary film, “A Rose in Plain Sight,” directed by filmmaker Chorong Kim, is available to watch on our SCVN YouTube Channel.

Two Roses disrupts the narratives of victimization that often undermine the stories of Holocaust survivors. Instead of painting victims of human rights abuse as mere case studies, this book illuminates a crucial part of our shared history with radical care, honesty, and creativity. 

For more information about Rose and Miriam’s collaboration, please visit their Research Cluster page here: https://visualnarratives.org/research-clusters/holocaust/holocaust-two-roses/

SCVN sincerely thanks all contributors for their hard work and dedication to bring Rose’s story to life.

‘Against Forgetting – For Democracy’ prize awarded to Emmie Arbel and Barbara Yelin

We are pleased to announce that both Barbara Yelin and Emmie Arbel have been awarded the prestigious “Against Forgetting – For Democracy” prize for 2025 by Gegen Vergessen – Für Demokratie e. V. (Against Forgetting – For Democracy). The prize honours their collaborative work on the graphic novel Emmie Arbel. The Colour of Memory.

The award recognizes individuals, initiatives, and/or projects whose outstanding work aligns with the association’s goals of developing appropriate forms of engagement with the past and/or right-wing extremism, and clearly demonstrating democratic values.

Barbara Yelin is being honoured for her artistic achievement and Emmie Arbel for her courage in revisiting and sharing her memories through a four-year creative collaboration. The recognition of this work underlines the power of graphic storytelling in keeping memory alive and fostering democratic awareness.

The award jury, chaired by former President of the Federal Constitutional Court Andreas Voßkuhle, shared this statement as part of the reasons for awarding Barbara and Emmie the prize:

“Barbara Yelin’s drawings convey history vividly and accessibly, in a way that text alone could not. At the same time, they do justice to the multifaceted nature of Arbel’s biography. 80 years after the end of the war, the book thus speaks to people of very different generations.”

Thank you to Gegen Vergessen – Für Demokratie e. V. for this recognition and congratulations to Barbara Yelin and Emmie Arbel for this well-deserved honour. The award ceremony will take place on 22 November 2025 in Berlin. Stay tuned for further updates!

Find more information on Against Forgetting – For Democracy e.V.’s website here.

‘Grand Prize of the German Academy for Children’s and Young Adult Literature’ awarded to Barbara Yelin

We are delighted to announce that graphic artist Barbara Yelin is the winner of the 2025 annual Grand Prize of the German Academy for Children’s and Young Adult Literature (Deutsche Akademie für Kinder- und Jugendliteratur), granted in recognition for outstanding achievements in children and young adult literature.

Grand Prize poster from the German Academy for Children’s and Young Adult Literature (Deutsche Akademie für Kinder- und Jugendliteratur), and Barbara Yelin. Photo credit: Martin Friedrich.

The award highlights her “multifaceted storytelling in the medium of comics – in drawing, dialogue and narrative text” and recognizes the culmination of her SCVN collaboration with Holocaust survivor Emmie Arbel in their initial graphic narrative, ‘But I Live’ and the expanded collaboration ‘Emmie Arbel. The Colour of Memory’.

Through translation, the academy outlines Barbara’s achievements as:

[Her] exceptional gift for biographical storytelling shines through once again – her keen powers of observation, her empathetic approach, and her richly atmospheric imagery. In addition to her artistic talent, Yelin is distinguished, among other things, by her profound social understanding and civic engagement.

Thus, she not only champions biographical remembrance work but also engages in art projects against the exploitation of refugees, antisemitism, hatred, and racism. With her artwork, Yelin makes unseen life stories and tragic events visible to us all. 

The award ceremony will take place on November 21st, 2025 in Volkach, Germany, facilitated by Dr. Winfried Bausback on behalf of the Bavarian State Ministry for Science and Art.

For more details about this award, please visit the Deutsche Akademie für Kinder-und Jugendliteratur’s website here: https://www.akademie-kjl.de/preise-auszeichnungen/grosser-preis

Join us in celebrating Barbara Yelin’s achievement and stay tuned for coverage of the award ceremony in November!


Updated on December 12th, 2025

Photos from the Grand Prize award ceremony in November 2025. Photo credit Andreas Kneitz and the Deutsche Akademie für Kinder- und Jugendliteratur e. V..

Congratulations on a beautiful ceremony and a well deserved award, Barbara!

New Co-applicant with Turtle Island Research Cluster: Dr. Éléonore Goldberg from the Emily Carr University of Art + Design

Exciting news! Author Duncan McCue and illustrator Mangeshig Pawis-Steckley, from our Turtle Island Cluster, are collaborating with Professor Éléonore Goldberg and Alan Goldman of Emily Carr University of Art + Design—along with their student researchers—to explore how the graphic novel Indians Do Cry can be brought to life through animation. Éléonore has been accepted as a SSHRC Co-applicant on the SCVN project and connected with Duncan on October 28, when he travelled from Ottawa to Vancouver to meet with the local Emily Carr team and Mangeshig. The animation project is still in its early stages, but stay tuned for more on this creative partnership which blends Indigenous storytelling with cutting-edge visual arts.

Students in consultation with Éléonore, Alan, Duncan and Mangeshig (left) and Alan, Mangeshig and Éléonore touring the university (right). Photo credit: Duncan McCue and Asad Aftab.

Interview with Miriam Libicki for the GraphicMemoirBlog: The art of translating Holocaust survivor stories into comics

In September 2025, Jonathan Sandler, host of the GraphicMemoirBlog and author of The English GI (2022), interviewed SCVN graphic artist Miriam Libicki in a blog feature titled ‘A Conversation with Miriam Libicki: WWII Graphic Memoirs’. They discussed her previous SCVN collaboration with Barbara Yelin, Gilad Seliktar, and Dr. Charlotte Schallié in But I Live: Three Stories of Child Survivors of the Holocaust (2022), and her forthcoming publication Two Roses: A Story of Deception and Determination in Nazi Germany (2026).

Jonathan and Miriam discussed the ways in which graphic novels can be used as research and storytelling tools for Holocaust education and to honour the voices of survivors. As Jonathan highlighted, Miriam worked from transcripts and shaped narratives that stay faithful to the survivors’ words, such as David Schaffer, where “every word in that book is his… the story is his voice.” Through comics, the stories convey information about survivor experiences while providing a safe and supportive learning environment.

In this interview, Miriam also shared her experience working closely with Holocaust survivors and the impact of the narratives on her art, describing her collaborations as “transformative.” To her, David’s story felt like “something out of dark fairy tales”, leading her to develop a watercolour style that would “evoke the living, threatening natural world.”

Inspired by early 20th-century children’s illustrations, she used watercolours “to set apart from the monochrome charcoal styles often associated with Holocaust art.” The illustrations in her SCVN graphic narratives also reflect different influences, ranging from Will Eisner to Japanese manga and Canadian comics, that supported her journey in both projects.

In her narratives, she has been drawn to first-person stories and particular points of view, and believes:

Comics are a powerful tool for empathy. Even if you disagree, you can still be compelled by the perspective.

Thank you to Jonathan for interviewing with Miriam and sharing insights into her artistic process and collaboration with SCVN!

Read the full interview here.

In Loving Memory of David Schaffer (1931 – 2025)

David Schaffer z”l

It is with deep sadness that we acknowledge the passing of David Schaffer z”l —devoted husband of Sidi, beloved father of Nathan, Doron, and Ayal, and proud grandfather of Joelle, Dalia, Aaron, Jacob, Paulina, Naomi, Madison, Zachary, and Joshua. Our heartfelt condolences go out to his entire family.


David Schaffer at the first in-person meeting with Miriam Libicki and Dr. Charlotte Schallié, at the Emily Carr University of Art + Design on January 2, 2020. Photo credit: Dr. Charlotte Schallié

We had the honour of getting to know David through the international educational project Narrative Art and Visual Storytelling in Holocaust and Human Rights Education (https://holocaustgraphicnovels.uvic.ca/), led by the University of Victoria and supported by the Social Sciences and Humanities Research Council Canada (SSHRC). One of the most significant outcomes of this project is the now acclaimed collection of graphic novels But I Live: Three Stories of Child Survivors of the Holocaust—a collaborative work between three graphic novelists and four Holocaust survivors. David’s story, A Kind of Resistance, was created in partnership with graphic artist Miriam Libicki. Since its publication in 2022, the book has received five international awards, six award nominations, and wide critical recognition. It has inspired exhibitions and educational programs in both Europe and North America, and its German edition, Aber ich lebe: Vier Kinder überleben den Holocaust, is now available through Germany’s Federal Agency for Civic Education (Bundesamt für politische Bildung). This important recognition ensures that stories like David’s will continue to reach new audiences and deepen understanding of the Holocaust.

When David was first invited to join the project, he hesitated. Although a respected member of the Vancouver Holocaust Education Centre’s survivor community, he had never publicly shared his story as a child survivor. He worried that his experiences might be too many to fit the tight timeframes of traditional survivor presentations.

As we learned more from David about his and his family’s survival, we were introduced to the complex and often overlooked history of Romania and Romanian-occupied Transnistria, with its devastating impact on the local Jews and Roma. His story was filled with nuance and detail, and it took time to fully grasp its depth. But David, with great patience and extraordinary precision, helped us understand—carefully guiding us through the many layers of his experience.

What ultimately convinced him to share his testimony was the realization that the fate of Romanian Jews deported to Transnistria was still largely unknown to the wider public. Through this project, David saw a unique opportunity to educate and raise awareness on an international level.

After David and Miriam’s first meetings in early 2020, they were not able to meet face-to-face again until the book launch. They collaborated through emails, where David was always eager to receive the pages in process, but the most meaningful conversations took place over the phone. Miriam shared her progress sketches with him, and he went page by page, clarifying scenes and giving Miriam additional background information and new context for the stories. A dark joke he made about a Jewish girl in hiding with David’s family having a German name was from one of these informal phone calls and made it into the comic. Another one of Miriam’s fondest memories from these conversations, which did not end up in the book, was a chat they had on the evening of Passover 2020. He recollected that forming bricks and mortar out of straw, mud and debris, as the Israelites are described doing in the Seder, was something his family resorted to in the forests of Transnistria when bartering anything they could to survive.

Over time, through countless meetings, phone calls, rounds of edits, and the exchange of photos and documents, our collaboration with David grew into something profoundly personal and deeply meaningful. Beyond learning about his and his family’s history, we came to know David himself: thoughtful, generous, principled, kind, and deeply human. In the truest sense of the word, David was a Mensch.

David was sharp and diligent, with a brilliant, analytical mind and remarkable memory. His clarity and precision helped shape the vivid illustrations in the novel. One memory stands out: his moving description of the mind-numbing hunger he experienced as a child survivor, likened to the constant grinding of a flour mill—an image Miriam captured powerfully in the book.

One of Charlotte’s most cherished memories is David’s meticulous attention to detail, and his engineering-calibrated brain that ensured that all representations of vehicles in his graphic novel were accurately drawn, and distances between locations on a map were properly measured and acknowledged. (He repeatedly challenged our cartographer!) Only later did it become clear to us that David retroactively asserted control over events that must have seemed completely unpredictable and overwhelming during the Holocaust.

Despite the weight of his story, moments of joy and humour were never far. We fondly remember the laughter when someone pointed out that he still had the same mischievous smile as in a photo of himself at age six—a smile that revealed a playful spirit that David, thankfully, had never lost.

Above all, David had a huge heart. He spoke often and with deep affection about his family—his beloved wife Sidi, a talented artist, his sons and their spouses, and his nine grandchildren. His love and pride for them were tangible and beautifully portrayed in Chorong Kim’s short documentary about his life, which offered rare and intimate glimpses into the world he built after surviving the Holocaust (If We Had Followed the Rules, I Wouldn’t Be Here).

Words fall short in expressing what an honour and blessing it was to know David. His courage, generosity, and unshakable trust in life have left a lasting impact. His story lives on—in print, in memory, and in all those he touched.

With deepest gratitude and immense respect. May his memory be for a blessing.

Dr. Ilona Shulman Spaar, past VHEC Education Director, Vancouver BC, Canada
Miriam Libicki, Graphic Novelist, Vancouver BC, Canada
Dr. Charlotte Schallié, Project Lead, Narrative Art and Visual Storytelling in Holocaust and Human Rights Education, Victoria BC, Canada

Turtle Island Research Cluster Broadens the SCVN Community with Partnership Development Grant

Building on the success of the Survivor-Centred Visual Narratives project, Drs. Shannon Leddy and Biz Nijdam have been successful in applying for additional funding to include genocide survivors from Greenland, Denmark, Norway, Sweden and Finland. Joined by Drs. Tim Frandy (Sámi, UBC) and Asta Mønsted (Kalaallit, formerly at UC Berkeley), and Frederik Byrn Køhlert (Edinburgh Napier University), this extension of the original Partnership Grant has received additional funding for three years through SSHRC’s Partnership Development Grant competition.

Background photo by Visit Greenland.

The Partnership Development Grant, Visual Storytelling in the Indigenous North, is an Indigenous-led project that connects storytellers, artists, and scholars from across the Circumpolar North to share stories of Indigenous survivance through comics, documentary film, podcasts, and digital media. Spanning Canada, Kalaallit Nunaat (Greenland), Sápmi (Norway, Sweden, Finland), and Denmark, the project brings together First Nation, Métis, Inuit, and Sámi knowledge holders to co-create graphic narratives and arts-based public programming that highlight resilience, resurgence, renewal, revival, and resistance, and that amplify Indigenous voices.

The orientation for this work is rooted in Indigenous methodologies and a commitment to two-eyed seeing, focused on relationship-building, memory work, and land-based learning. Hosted by the UBC Comics Studies and Pop Culture Clusters in collaboration with the UBC Circumpolar Indigenous Storytelling Research Cluster and the Centre for Migration Studies, they are collaborating with museums, cultural institutions, educators, and artists to produce multilingual, multimodal storytelling that centre truth and reconciliation across geopolitical lines. Through their work they hope to continue and expand important dialogues about the ongoing cultural and social impacts of colonization and state sponsored efforts at genocide that have long been underexposed in the global North. Furthermore, they want to share stories that look to the future, particularly in the light of climate change, food security, and the need for sovereignty.

The team is excited to begin the first leg of this new research journey in March of 2026, when they will travel with their research team and graphic artists to the Arctic Winter Games in Whitehorse, Yukon. At this important event, which draws athletes and fans from across the circumpolar North, they hope to build on existing partnerships, deepen friendships, and meet plenty of new people, ideas, and experiences along the way. With a plan to produce some exciting new graphic novels and documentary films, they look forward to sharing their work in 2027 and 2028, and to the possibility of expanding their work into the future as well.

Learn more about the Turtle Island Research Cluster here.

‘Emmie Arbel. The Colour of Memory’ now available in English, French, and Spanish

Originally published in German in 2023, Emmie Arbel. The Colour of Memory is a graphic memoir based on the personal conversations and trust-based relationship between Holocaust survivor Emmie Arbel and graphic artist Barbara Yelin.

The book is now available in four language editions: German, English, French, and Spanish. It was translated into French by Thierry Groensteen and Olivier Mannoni, and published with Actes Sud in April 2024. The English translation was produced by Helge R. Dascher and published by Reprodukt in December 2024. These two publications were followed in March 2025 by a Spanish version translated by Julia Gómez Sáez and published by Garbuix Books.

Translating Emmie’s memoir into multiple languages is vital for broadening access to Holocaust testimony, as it allows a global audience of educators, students, and researchers to engage with her story.

Many thanks to the translators for their dedication and to the publishers for their support. Their efforts continue to bring Emmie’s story to life so that it can be introduced to new audiences.

In 2024, Yelin’s graphic novel was selected for the prestigious 2024 White Ravens Catalogue. More about this prestigious recognition can be found here.

Also in 2024, Barbara Yelin was awarded the Gustav Heinemann Peace Prize for Children’s and Young People’s Books by the North Rhine-Westphalia State Agency for Civic Education for Emmie Arbel. The Colour of Memory. Read more about the award ceremony here.

Further information about Emmie Arbel. The Colour of Memory can be found here.