Survivor-Centred Visual Narratives

Category: news

‘Against Forgetting – For Democracy’ prize awarded to Emmie Arbel and Barbara Yelin

We are pleased to announce that both Barbara Yelin and Emmie Arbel have been awarded the prestigious “Against Forgetting – For Democracy” prize for 2025 by Gegen Vergessen – Für Demokratie e. V. (Against Forgetting – For Democracy). The prize honours their collaborative work on the graphic novel Emmie Arbel. The Colour of Memory.

The award recognizes individuals, initiatives, and/or projects whose outstanding work aligns with the association’s goals of developing appropriate forms of engagement with the past and/or right-wing extremism, and clearly demonstrating democratic values.

Barbara Yelin is being honoured for her artistic achievement and Emmie Arbel for her courage in revisiting and sharing her memories through a four-year creative collaboration. The recognition of this work underlines the power of graphic storytelling in keeping memory alive and fostering democratic awareness.

The award jury, chaired by former President of the Federal Constitutional Court Andreas Voßkuhle, shared this statement as part of the reasons for awarding Barbara and Emmie the prize:

“Barbara Yelin’s drawings convey history vividly and accessibly, in a way that text alone could not. At the same time, they do justice to the multifaceted nature of Arbel’s biography. 80 years after the end of the war, the book thus speaks to people of very different generations.”

Thank you to Gegen Vergessen – Für Demokratie e. V. for this recognition and congratulations to Barbara Yelin and Emmie Arbel for this well-deserved honour. The award ceremony will take place on 22 November 2025 in Berlin. Stay tuned for further updates!

Find more information on Against Forgetting – For Democracy e.V.’s website here.

‘Grand Prize of the German Academy for Children’s and Young Adult Literature’ awarded to Barbara Yelin

We are delighted to announce that graphic artist Barbara Yelin is the winner of the 2025 annual Grand Prize of the German Academy for Children’s and Young Adult Literature (Deutsche Akademie für Kinder- und Jugendliteratur), granted in recognition for outstanding achievements in children and young adult literature.

Grand Prize poster from the German Academy for Children’s and Young Adult Literature (Deutsche Akademie für Kinder- und Jugendliteratur), and Barbara Yelin. Photo credit: Martin Friedrich.

The award highlights her “multifaceted storytelling in the medium of comics – in drawing, dialogue and narrative text” and recognizes the culmination of her SCVN collaboration with Holocaust survivor Emmie Arbel in their initial graphic narrative, ‘But I Live: Three Stories of Child Survivors of the Holocaust’ and the expanded biography ‘Emmie Arbel. The Colour of Memory’.

Through translation, the academy outlines Barbara’s achievements as:

[Her] exceptional gift for biographical storytelling shines through once again – her keen powers of observation, her empathetic approach, and her richly atmospheric imagery. In addition to her artistic talent, Yelin is distinguished, among other things, by her profound social understanding and civic engagement.

Thus, she not only champions biographical remembrance work but also engages in art projects against the exploitation of refugees, antisemitism, hatred, and racism. With her artwork, Yelin makes unseen life stories and tragic events visible to us all. 

The award ceremony will take place on November 21st, 2025 in Volkach, Germany, facilitated by Dr. Winfried Bausback on behalf of the Bavarian State Ministry for Science and Art.

For more details about this award, please visit the Deutsche Akademie für Kinder-und Jugendliteratur’s website here: https://www.akademie-kjl.de/preise-auszeichnungen/grosser-preis

Join us in celebrating Barbara Yelin’s achievement and stay tuned for coverage of the award ceremony in November!

In Loving Memory of David Schaffer (1931 – 2025)

David Schaffer z”l

It is with deep sadness that we acknowledge the passing of David Schaffer z”l —devoted husband of Sidi, beloved father of Nathan, Doron, and Ayal, and proud grandfather of Joelle, Dalia, Aaron, Jacob, Paulina, Naomi, Madison, Zachary, and Joshua. Our heartfelt condolences go out to his entire family.


David Schaffer at the first in-person meeting with Miriam Libicki and Dr. Charlotte Schallié, at the Emily Carr University of Art + Design on January 2, 2020. Photo credit: Dr. Charlotte Schallié

We had the honour of getting to know David through the international educational project Narrative Art and Visual Storytelling in Holocaust and Human Rights Education (https://holocaustgraphicnovels.uvic.ca/), led by the University of Victoria and supported by the Social Sciences and Humanities Research Council Canada (SSHRC). One of the most significant outcomes of this project is the now acclaimed collection of graphic novels But I Live: Three Stories of Child Survivors of the Holocaust—a collaborative work between three graphic novelists and four Holocaust survivors. David’s story, A Kind of Resistance, was created in partnership with graphic artist Miriam Libicki. Since its publication in 2022, the book has received five international awards, six award nominations, and wide critical recognition. It has inspired exhibitions and educational programs in both Europe and North America, and its German edition, Aber ich lebe: Vier Kinder überleben den Holocaust, is now available through Germany’s Federal Agency for Civic Education (Bundesamt für politische Bildung). This important recognition ensures that stories like David’s will continue to reach new audiences and deepen understanding of the Holocaust.

When David was first invited to join the project, he hesitated. Although a respected member of the Vancouver Holocaust Education Centre’s survivor community, he had never publicly shared his story as a child survivor. He worried that his experiences might be too many to fit the tight timeframes of traditional survivor presentations.

As we learned more from David about his and his family’s survival, we were introduced to the complex and often overlooked history of Romania and Romanian-occupied Transnistria, with its devastating impact on the local Jews and Roma. His story was filled with nuance and detail, and it took time to fully grasp its depth. But David, with great patience and extraordinary precision, helped us understand—carefully guiding us through the many layers of his experience.

What ultimately convinced him to share his testimony was the realization that the fate of Romanian Jews deported to Transnistria was still largely unknown to the wider public. Through this project, David saw a unique opportunity to educate and raise awareness on an international level.

After David and Miriam’s first meetings in early 2020, they were not able to meet face-to-face again until the book launch. They collaborated through emails, where David was always eager to receive the pages in process, but the most meaningful conversations took place over the phone. Miriam shared her progress sketches with him, and he went page by page, clarifying scenes and giving Miriam additional background information and new context for the stories. A dark joke he made about a Jewish girl in hiding with David’s family having a German name was from one of these informal phone calls and made it into the comic. Another one of Miriam’s fondest memories from these conversations, which did not end up in the book, was a chat they had on the evening of Passover 2020. He recollected that forming bricks and mortar out of straw, mud and debris, as the Israelites are described doing in the Seder, was something his family resorted to in the forests of Transnistria when bartering anything they could to survive.

Over time, through countless meetings, phone calls, rounds of edits, and the exchange of photos and documents, our collaboration with David grew into something profoundly personal and deeply meaningful. Beyond learning about his and his family’s history, we came to know David himself: thoughtful, generous, principled, kind, and deeply human. In the truest sense of the word, David was a Mensch.

David was sharp and diligent, with a brilliant, analytical mind and remarkable memory. His clarity and precision helped shape the vivid illustrations in the novel. One memory stands out: his moving description of the mind-numbing hunger he experienced as a child survivor, likened to the constant grinding of a flour mill—an image Miriam captured powerfully in the book.

One of Charlotte’s most cherished memories is David’s meticulous attention to detail, and his engineering-calibrated brain that ensured that all representations of vehicles in his graphic novel were accurately drawn, and distances between locations on a map were properly measured and acknowledged. (He repeatedly challenged our cartographer!) Only later did it become clear to us that David retroactively asserted control over events that must have seemed completely unpredictable and overwhelming during the Holocaust.

Despite the weight of his story, moments of joy and humour were never far. We fondly remember the laughter when someone pointed out that he still had the same mischievous smile as in a photo of himself at age six—a smile that revealed a playful spirit that David, thankfully, had never lost.

Above all, David had a huge heart. He spoke often and with deep affection about his family—his beloved wife Sidi, a talented artist, his sons and their spouses, and his nine grandchildren. His love and pride for them were tangible and beautifully portrayed in Chorong Kim’s short documentary about his life, which offered rare and intimate glimpses into the world he built after surviving the Holocaust (If We Had Followed the Rules, I Wouldn’t Be Here).

Words fall short in expressing what an honour and blessing it was to know David. His courage, generosity, and unshakable trust in life have left a lasting impact. His story lives on—in print, in memory, and in all those he touched.

With deepest gratitude and immense respect. May his memory be for a blessing.

Dr. Ilona Shulman Spaar, past VHEC Education Director, Vancouver BC, Canada
Miriam Libicki, Graphic Novelist, Vancouver BC, Canada
Dr. Charlotte Schallié, Project Lead, Narrative Art and Visual Storytelling in Holocaust and Human Rights Education, Victoria BC, Canada

Turtle Island Research Cluster Broadens the SCVN Community with Partnership Development Grant

Building on the success of the Survivor-Centred Visual Narratives project, Drs. Shannon Leddy and Biz Nijdam have been successful in applying for additional funding to include genocide survivors from Greenland, Denmark, Norway, Sweden and Finland. Joined by Drs. Tim Frandy (Sámi, UBC) and Asta Mønsted (Kalaallit, formerly at UC Berkeley), and Frederik Byrn Køhlert (Edinburgh Napier University), this extension of the original Partnership Grant has received additional funding for three years through SSHRC’s Partnership Development Grant competition.

Background photo by Visit Greenland.

The Partnership Development Grant, Visual Storytelling in the Indigenous North, is an Indigenous-led project that connects storytellers, artists, and scholars from across the Circumpolar North to share stories of Indigenous survivance through comics, documentary film, podcasts, and digital media. Spanning Canada, Kalaallit Nunaat (Greenland), Sápmi (Norway, Sweden, Finland), and Denmark, the project brings together First Nation, Métis, Inuit, and Sámi knowledge holders to co-create graphic narratives and arts-based public programming that highlight resilience, resurgence, renewal, revival, and resistance, and that amplify Indigenous voices.

The orientation for this work is rooted in Indigenous methodologies and a commitment to two-eyed seeing, focused on relationship-building, memory work, and land-based learning. Hosted by the UBC Comics Studies and Pop Culture Clusters in collaboration with the UBC Circumpolar Indigenous Storytelling Research Cluster and the Centre for Migration Studies, they are collaborating with museums, cultural institutions, educators, and artists to produce multilingual, multimodal storytelling that centre truth and reconciliation across geopolitical lines. Through their work they hope to continue and expand important dialogues about the ongoing cultural and social impacts of colonization and state sponsored efforts at genocide that have long been underexposed in the global North. Furthermore, they want to share stories that look to the future, particularly in the light of climate change, food security, and the need for sovereignty.

The team is excited to begin the first leg of this new research journey in March of 2026, when they will travel with their research team and graphic artists to the Arctic Winter Games in Whitehorse, Yukon. At this important event, which draws athletes and fans from across the circumpolar North, they hope to build on existing partnerships, deepen friendships, and meet plenty of new people, ideas, and experiences along the way. With a plan to produce some exciting new graphic novels and documentary films, they look forward to sharing their work in 2027 and 2028, and to the possibility of expanding their work into the future as well.

Learn more about the Turtle Island Research Cluster here.

‘Emmie Arbel. The Colour of Memory’ now available in English, French, and Spanish

Originally published in German in 2023, Emmie Arbel. The Colour of Memory is a graphic memoir based on the personal conversations and trust-based relationship between Holocaust survivor Emmie Arbel and graphic artist Barbara Yelin.

The book is now available in four language editions: German, English, French, and Spanish. It was translated into French by Thierry Groensteen and Olivier Mannoni, and published with Actes Sud in April 2024. The English translation was produced by Helge R. Dascher and published by Reprodukt in December 2024. These two publications were followed in March 2025 by a Spanish version translated by Julia Gómez Sáez and published by Garbuix Books.

Translating Emmie’s memoir into multiple languages is vital for broadening access to Holocaust testimony, as it allows a global audience of educators, students, and researchers to engage with her story.

Many thanks to the translators for their dedication and to the publishers for their support. Their efforts continue to bring Emmie’s story to life so that it can be introduced to new audiences.

In 2024, Yelin’s graphic novel was selected for the prestigious 2024 White Ravens Catalogue. More about this prestigious recognition can be found here.

Also in 2024, Barbara Yelin was awarded the Gustav Heinemann Peace Prize for Children’s and Young People’s Books by the North Rhine-Westphalia State Agency for Civic Education for Emmie Arbel. The Colour of Memory. Read more about the award ceremony here.

Further information about Emmie Arbel. The Colour of Memory can be found here.

A rose in plain sight short documentary still

‘A Rose in Plain Sight’ – Trailer is out!

We are thrilled to announce the premiere trailer for ‘A Rose in Plain Sight’, a documentary short directed by Chorong Kim, set for release in 2025. This film offers an intimate glimpse into the creative and emotional journey of collaboration between Holocaust child survivor Rose Lipszyc, graphic artist Miriam Libicki, and editors Mark Celinscak and Charlotte Schallié. 

A rose in plain sight short documentary still

At the heart of the documentary is Rose Lipszyc’s story of survival through the Holocaust. Born in Poland, Rose was ten years old when the Nazi invasion of 1939 irrevocably changed her world. In a series of interviews, Rose shares her testimony, reflecting on her escape during deportation in 1942 and her experiences as a forced laborer in Nazi Germany. 

You’d be surprised how much you survive.’ Rose Lipszyc

The film chronicles the creation of ‘Two Roses’, a graphic novel beautifully illustrated by award-winning artist Miriam Libicki. Through interviews, sketches, and candid moments, viewers witness how Miriam translates Rose’s lived experiences into a visual narrative. The project not only honors Rose’s legacy but also explores how art can bridge generations, fostering understanding and empathy in the process. 

‘A Rose in Plain Sight’ is both a testament to the enduring power of storytelling and a compelling exploration of memory’s intersection with art. The film invites audiences to reflect on the continued relevance of learning from Holocaust survivors in their own words. 

‘A Rose in Plain Sight’ – Trailer

Director, Cinematographer and Editor: Chorong Kim  

Assistant Camera: Skylar Kim  

English Subtitles: Iain Higgins  

Polish Subtitles: Agnieszka Haska 

Stay tuned for the release of the full documentary and join us in celebrating this vital contribution to Holocaust remembrance and education. Together, let us honor the voices of survivors and the transformative power of creative expression. 

Celebrating ‘Emmie Arbel. The Color of Memory’ in the 2024 White Ravens Catalogue! 

We are thrilled to announce that ‘Emmie Arbel. The Color of Memory’ by Barbara Yelin has been selected for the prestigious 2024 White Ravens Catalogue! This incredible recognition highlights the book’s thoughtful visual storytelling and profound exploration of memory and identity. 

Pages from ‘Emmie Arbel: The Colour of Memory’ by Barbara Yelin.

The White Ravens Catalogue, published annually by the International Youth Library in Munich, showcases exceptional children’s and youth literature from around the globe. Being included in this esteemed list is a testament to the book’s universal appeal and its artistic and literary merit. The selection is made by a panel of experts who consider various factors, including creativity, diversity, and the quality of the storytelling. 

“… The White Ravens catalogue, is the most important annual publication of the International Youth Library. It aims to promote quality in children’s book publishing and has become an increasingly useful tool for anyone interested in looking beyond national borders. The White Ravens 2024 contains a selection of 216 notable children’s and young adult books published in 44 languages from 62 countries.” 

The White Ravens 2024 | Preface 

This achievement is a celebration of the hard work and dedication of everyone involved in bringing Emmie’s story to life. Our sincere congratulations to Emmie and Barbara and our thanks to all those who have supported this project.

Get a digital copy of ‘Emmie Arbel. The Color of Memory’ here. Available in the original German as well as English and French translations.

2024 AGM at the University of British Columbia: Centring Indigenous and Arts-Based Approaches to Testimony

From June 18-20, our project partners from the University of British Columbia (UBC) and the Turtle Island Research Cluster hosted a three-day Annual General Meeting around the theme of ‘Landed Learning and Indigenous Ways of Knowing’. Artists and team leadership from Canada, Austria, Germany, the Netherlands, Sweden, and the United States, gathered with us on the unceded territory of the xʷməθkʷəy̓əm (Musqueam) people. At a pre-meeting event hosted by the German Consulate, artist Tobi Dahmen presented his recent publication, Columbusstrasse, to an engaged and enthusiastic audience. Artist Anneli Furmark also spoke to students in the UBC Nordic Studies program about her work with comics and graphic novels. 

Anneli Furmark presenting to UBC students. Image credit Charlotte Schallié.

On Day 1 of the AGM, participants joined Dr. Eduardo Jovel for a presentation on Landed Learning at the xʷc̓ic̓əsəm Garden in the UBC Farm. With an emphasis on teaching, learning, and research, xʷc̓ic̓əsəm Garden serves educational and research needs related to Indigenous knowledge and its intersections with other ways of knowing; our group learned about land as teacher and food as medicine. In the afternoon, Dr. Shannon Leddy guided participants through an art-making workshop, reflecting on visual storytelling and land-based approaches to learning. SCVN data director, Dr. Matt Huculak also gave a presentation on archiving arts-based research to the project artists.

xʷc̓ic̓əsəm Garden. Image credit Raey Costain.
xʷc̓ic̓əsəm Garden. Image credit Raey Costain.
Sketch at xʷc̓ic̓əsəm Garden. Image credit Miriam Libicki.
Art making workshop with Andrea Webb (left) and Shannon Leddy (right), June 19, 2024. Image credit Charlotte Schallié.
Participants exploring the interactive database at the Indian Residential School History and Dialogue Centre. Image credit Raey Costain.

On Day 2, participants gained insights into the practices and approaches of Indigenizing testimony collection and Indigenous data sovereignty with a presentation from Kristin Kozar, director of the Indian Residential School History and Dialogue Centre. Following this, Duncan McCue facilitated a reflection on traumatic testimony and survivor-centred engagement, providing the opportunity for project members to share their experiences and learn from one another. 

Though not scheduled activities, the artists and scholars who gathered for the AGM took frequent opportunities to spend time on the beautiful beaches and walkways that surround UBC. They also attended graphic artist Mangeshig Pawis-Steckely’s exhibit opening at the Slice of Life gallery on June 20, 2024.

Project members gathered on the beach. Image credit Matt Huculak.
Project members attending Mangeshig Pawis-Steckely’s gallery opening at Slice of Life on June 20, 2024. Image credit Jennifer Sauter.

We would like to express our deep gratitude to all participants for their willingness to experience land-based approaches and share their diverse perspectives as they continue to work with survivors in creating visual narratives of testimony. We hope that our annual meetings provide opportunities for community and connection, supporting future arts-based research and acknowledging the important work created thus far.

‘But I Live’ exhibits at the Ravensbrück Memorial

From April 13 to July 31, 2024 the Ravensbrück Memorial is hosting an exhibition of ‘But I Live. Three Stories of Child Survivors of the Holocaust’ in cooperation with the International Comic Salon Erlangen and the Stadtmuseum Erlangen.

‘But I Live’ (2022) edited by SCVN Co-Director Charlotte Schallié was an important publication because of the way the stories it contains were created. Graphic artists Miriam Libicki, Gilad Seliktar, and Barbara Yelin, worked closely with (respectively) David Schaffer, Nico and Rolf Kamp, and Emmie Arbel to gather their memories and experiences of surviving the Holocaust as children. This collection of graphic narratives set the tone for the broader SCVN project and many of the relationships that began with ‘But I Live’ continue on in the current work.

For the SCVN project, this new exhibition at Ravensbrück represents a commitment to learn about and remember the stories that have been so carefully gathered – in a way that does not reduce survivors to their moment of pain but instead honours their life experiences before, during, and after the events they endured.