Survivor-Centred Visual Narratives

Category: news

Turtle Island Research Cluster Broadens the SCVN Community with Partnership Development Grant

Building on the success of the Survivor-Centred Visual Narratives project, Drs. Shannon Leddy and Biz Nijdam have been successful in applying for additional funding to include genocide survivors from Greenland, Denmark, Norway, Sweden and Finland. Joined by Drs. Tim Frandy (Sámi, UBC) and Asta Mønsted (Kalaallit, formerly at UC Berkeley), and Frederik Byrn Køhlert (Edinburgh Napier University), this extension of the original Partnership Grant has received additional funding for three years through SSHRC’s Partnership Development Grant competition.

Background photo by Visit Greenland.

The Partnership Development Grant, Visual Storytelling in the Indigenous North, is an Indigenous-led project that connects storytellers, artists, and scholars from across the Circumpolar North to share stories of Indigenous survivance through comics, documentary film, podcasts, and digital media. Spanning Canada, Kalaallit Nunaat (Greenland), Sápmi (Norway, Sweden, Finland), and Denmark, the project brings together First Nation, Métis, Inuit, and Sámi knowledge holders to co-create graphic narratives and arts-based public programming that highlight resilience, resurgence, renewal, revival, and resistance, and that amplify Indigenous voices.

The orientation for this work is rooted in Indigenous methodologies and a commitment to two-eyed seeing, focused on relationship-building, memory work, and land-based learning. Hosted by the UBC Comics Studies and Pop Culture Clusters in collaboration with the UBC Circumpolar Indigenous Storytelling Research Cluster and the Centre for Migration Studies, they are collaborating with museums, cultural institutions, educators, and artists to produce multilingual, multimodal storytelling that centre truth and reconciliation across geopolitical lines. Through their work they hope to continue and expand important dialogues about the ongoing cultural and social impacts of colonization and state sponsored efforts at genocide that have long been underexposed in the global North. Furthermore, they want to share stories that look to the future, particularly in the light of climate change, food security, and the need for sovereignty.

The team is excited to begin the first leg of this new research journey in March of 2026, when they will travel with their research team and graphic artists to the Arctic Winter Games in Whitehorse, Yukon. At this important event, which draws athletes and fans from across the circumpolar North, they hope to build on existing partnerships, deepen friendships, and meet plenty of new people, ideas, and experiences along the way. With a plan to produce some exciting new graphic novels and documentary films, they look forward to sharing their work in 2027 and 2028, and to the possibility of expanding their work into the future as well.

Learn more about the Turtle Island Research Cluster here.

‘Emmie Arbel. The Colour of Memory’ now available in English, French, and Spanish

Originally published in German in 2023, Emmie Arbel. The Colour of Memory is a graphic memoir based on the personal conversations and trust-based relationship between Holocaust survivor Emmie Arbel and graphic artist Barbara Yelin.

The book is now available in four language editions: German, English, French, and Spanish. It was translated into French by Thierry Groensteen and Olivier Mannoni, and published with Actes Sud in April 2024. The English translation was produced by Helge R. Dascher and published by Reprodukt in December 2024. These two publications were followed in March 2025 by a Spanish version translated by Julia Gómez Sáez and published by Garbuix Books.

Translating Emmie’s memoir into multiple languages is vital for broadening access to Holocaust testimony, as it allows a global audience of educators, students, and researchers to engage with her story.

Many thanks to the translators for their dedication and to the publishers for their support. Their efforts continue to bring Emmie’s story to life so that it can be introduced to new audiences.

In 2024, Yelin’s graphic novel was selected for the prestigious 2024 White Ravens Catalogue. More about this prestigious recognition can be found here.

Also in 2024, Barbara Yelin was awarded the Gustav Heinemann Peace Prize for Children’s and Young People’s Books by the North Rhine-Westphalia State Agency for Civic Education for Emmie Arbel. The Colour of Memory. Read more about the award ceremony here.

Further information about Emmie Arbel. The Colour of Memory can be found here.

A rose in plain sight short documentary still

‘A Rose in Plain Sight’ – Trailer is out!

We are thrilled to announce the premiere trailer for ‘A Rose in Plain Sight’, a documentary short directed by Chorong Kim, set for release in 2025. This film offers an intimate glimpse into the creative and emotional journey of collaboration between Holocaust child survivor Rose Lipszyc, graphic artist Miriam Libicki, and editors Mark Celinscak and Charlotte Schallié. 

A rose in plain sight short documentary still

At the heart of the documentary is Rose Lipszyc’s story of survival through the Holocaust. Born in Poland, Rose was ten years old when the Nazi invasion of 1939 irrevocably changed her world. In a series of interviews, Rose shares her testimony, reflecting on her escape during deportation in 1942 and her experiences as a forced laborer in Nazi Germany. 

You’d be surprised how much you survive.’ Rose Lipszyc

The film chronicles the creation of ‘Two Roses’, a graphic novel beautifully illustrated by award-winning artist Miriam Libicki. Through interviews, sketches, and candid moments, viewers witness how Miriam translates Rose’s lived experiences into a visual narrative. The project not only honors Rose’s legacy but also explores how art can bridge generations, fostering understanding and empathy in the process. 

‘A Rose in Plain Sight’ is both a testament to the enduring power of storytelling and a compelling exploration of memory’s intersection with art. The film invites audiences to reflect on the continued relevance of learning from Holocaust survivors in their own words. 

‘A Rose in Plain Sight’ – Trailer

Director, Cinematographer and Editor: Chorong Kim  

Assistant Camera: Skylar Kim  

English Subtitles: Iain Higgins  

Polish Subtitles: Agnieszka Haska 

Stay tuned for the release of the full documentary and join us in celebrating this vital contribution to Holocaust remembrance and education. Together, let us honor the voices of survivors and the transformative power of creative expression. 

Celebrating ‘Emmie Arbel. The Color of Memory’ in the 2024 White Ravens Catalogue! 

We are thrilled to announce that ‘Emmie Arbel. The Color of Memory’ by Barbara Yelin has been selected for the prestigious 2024 White Ravens Catalogue! This incredible recognition highlights the book’s thoughtful visual storytelling and profound exploration of memory and identity. 

Pages from ‘Emmie Arbel: The Colour of Memory’ by Barbara Yelin.

The White Ravens Catalogue, published annually by the International Youth Library in Munich, showcases exceptional children’s and youth literature from around the globe. Being included in this esteemed list is a testament to the book’s universal appeal and its artistic and literary merit. The selection is made by a panel of experts who consider various factors, including creativity, diversity, and the quality of the storytelling. 

“… The White Ravens catalogue, is the most important annual publication of the International Youth Library. It aims to promote quality in children’s book publishing and has become an increasingly useful tool for anyone interested in looking beyond national borders. The White Ravens 2024 contains a selection of 216 notable children’s and young adult books published in 44 languages from 62 countries.” 

The White Ravens 2024 | Preface 

This achievement is a celebration of the hard work and dedication of everyone involved in bringing Emmie’s story to life. Our sincere congratulations to Emmie and Barbara and our thanks to all those who have supported this project.

Get a digital copy of ‘Emmie Arbel. The Color of Memory’ here. Available in the original German as well as English and French translations.

2024 AGM at the University of British Columbia: Centring Indigenous and Arts-Based Approaches to Testimony

From June 18-20, our project partners from the University of British Columbia (UBC) and the Turtle Island Research Cluster hosted a three-day Annual General Meeting around the theme of ‘Landed Learning and Indigenous Ways of Knowing’. Artists and team leadership from Canada, Austria, Germany, the Netherlands, Sweden, and the United States, gathered with us on the unceded territory of the xʷməθkʷəy̓əm (Musqueam) people. At a pre-meeting event hosted by the German Consulate, artist Tobi Dahmen presented his recent publication, Columbusstrasse, to an engaged and enthusiastic audience. Artist Anneli Furmark also spoke to students in the UBC Nordic Studies program about her work with comics and graphic novels. 

Anneli Furmark presenting to UBC students. Image credit Charlotte Schallié.

On Day 1 of the AGM, participants joined Dr. Eduardo Jovel for a presentation on Landed Learning at the xʷc̓ic̓əsəm Garden in the UBC Farm. With an emphasis on teaching, learning, and research, xʷc̓ic̓əsəm Garden serves educational and research needs related to Indigenous knowledge and its intersections with other ways of knowing; our group learned about land as teacher and food as medicine. In the afternoon, Dr. Shannon Leddy guided participants through an art-making workshop, reflecting on visual storytelling and land-based approaches to learning. SCVN data director, Dr. Matt Huculak also gave a presentation on archiving arts-based research to the project artists.

xʷc̓ic̓əsəm Garden. Image credit Raey Costain.
xʷc̓ic̓əsəm Garden. Image credit Raey Costain.
Sketch at xʷc̓ic̓əsəm Garden. Image credit Miriam Libicki.
Art making workshop with Andrea Webb (left) and Shannon Leddy (right), June 19, 2024. Image credit Charlotte Schallié.
Participants exploring the interactive database at the Indian Residential School History and Dialogue Centre. Image credit Raey Costain.

On Day 2, participants gained insights into the practices and approaches of Indigenizing testimony collection and Indigenous data sovereignty with a presentation from Kristin Kozar, director of the Indian Residential School History and Dialogue Centre. Following this, Duncan McCue facilitated a reflection on traumatic testimony and survivor-centred engagement, providing the opportunity for project members to share their experiences and learn from one another. 

Though not scheduled activities, the artists and scholars who gathered for the AGM took frequent opportunities to spend time on the beautiful beaches and walkways that surround UBC. They also attended graphic artist Mangeshig Pawis-Steckely’s exhibit opening at the Slice of Life gallery on June 20, 2024.

Project members gathered on the beach. Image credit Matt Huculak.
Project members attending Mangeshig Pawis-Steckely’s gallery opening at Slice of Life on June 20, 2024. Image credit Jennifer Sauter.

We would like to express our deep gratitude to all participants for their willingness to experience land-based approaches and share their diverse perspectives as they continue to work with survivors in creating visual narratives of testimony. We hope that our annual meetings provide opportunities for community and connection, supporting future arts-based research and acknowledging the important work created thus far.

‘But I Live’ exhibits at the Ravensbrück Memorial

From April 13 to July 31, 2024 the Ravensbrück Memorial is hosting an exhibition of ‘But I Live. Three Stories of Child Survivors of the Holocaust’ in cooperation with the International Comic Salon Erlangen and the Stadtmuseum Erlangen.

‘But I Live’ (2022) edited by SCVN Co-Director Charlotte Schallié was an important publication because of the way the stories it contains were created. Graphic artists Miriam Libicki, Gilad Seliktar, and Barbara Yelin, worked closely with (respectively) David Schaffer, Nico and Rolf Kamp, and Emmie Arbel to gather their memories and experiences of surviving the Holocaust as children. This collection of graphic narratives set the tone for the broader SCVN project and many of the relationships that began with ‘But I Live’ continue on in the current work.

For the SCVN project, this new exhibition at Ravensbrück represents a commitment to learn about and remember the stories that have been so carefully gathered – in a way that does not reduce survivors to their moment of pain but instead honours their life experiences before, during, and after the events they endured.

Holocaust Memorial Day 2024 Lecture by Barbara Yelin

For Holocaust Memorial Day 2024, illustrator and graphic artist Barbara Yelin will be giving a lecture titled: ‘But I Live’ – Emmie Arbel’s Illustrated Story of the Fragility of Freedom.

The ‘Fragility of Freedom’ is the overarching theme of this year’s Holocaust Memorial Day and explores the many ways that human rights such as freedom of movement, expression, and religion are oppressed and restricted by regimes of power. This lecture will explore the way that freedom and liberation are often entangled with ongoing experiences of grief, loss, and absence.

Barbara Yelin is a graphic artist working with the Survivor-Centred Visual Narratives Holocaust Research Cluster. She has worked closely with Holocaust survivor Emmie Arbel whose stories can be found in ‘But I Live’ and in the recent publication ‘Emmie Arbel. Die Farbe der Erinnerung’ (Emmie Arbel. The Colour of Memory) Barbara’s other publications include the award-winning 2014 book ‘Irmina’.

Thank you to the event co-hosts, the Institute for the History of the German Jews in Hamburg, the Wiener Holocaust Library London and the Stanley Burton Centre for Holocaust and Genocide Studies at the University of Leicester.

Details

January 22, 2024 | 6:00 pm to 7:00 pm CET

Virtual event delivered via zoom

Admission is free but registration is required

‘Aber ich lebe’ now available through the German Federal Agency for Civic Education

Artwork by Barbara Yelin

‘But I Live: Three Stories of Child Survivors of the Holocaust’ was created in the first stage of the Survivor-Centred Visual Narratives project. Since its publication in May 2022, ‘But I Live’ (ed. Charlotte Schallié, University of Toronto Press) has been recognized as a unique and sorely needed collection of testimonies about the Holocaust. Both the German (‘Aber ich lebe’) and English versions have reached wide-ranging audiences and will be incorporated into Holocaust education curriculum.

The success of ‘But I Live’ and the connections that developed between artists and survivors through its creation paves the way for the next stages of the Survivor-Centred Visual Narratives project.

The German version of this book, ‘Aber ich lebe’, is now available through the Bundeszentrale für politische Bildung (German Federal Agency for Civic Education), an organization which aims to support and engage citizens, promoting understanding of political issues, enhancing democratic awareness, and strengthening the willingness to participate in politics. This recognition ensures that the stories of survivors Emmie, David, Nico, and Rolf will reach wider audiences, furthering the goals of this work to remember and learn from atrocities such as the Holocaust and prevent them from happening again.

A special thank you and congratulations to artists Miriam Libicki, Gilad Seliktar and Barbara Yelin whose thoughtful artwork continues to engage audiences of every age, making certain that the survivors’ stories will live on in the hearts and minds of generations to come.